1953, US, directed by Phil Karlson
A generally punchy film from the generally punchy Phil Karlson, a very solid noir that takes place over the course of a single rather fraught evening in which a former boxer/current cabbie sees his marriage disintegrate and his life disappear down the same plughole. There's one hell of a subplot that stretches credibility a great deal,while nonetheless providing the film with a terrific set piece (the camera angles and use of light/shadow are brilliant). John Payne is a pretty bland leading man but as ever in such films there's plenty of diverting support -- Brad Dexter has one of his earliest roles of substance and he's rather good as the heavy, while Jay Adler is very memorable as the fence despite the obvious stereotyping of the character.
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